They must be worth their weight in gold!”), sharp analogies (“Like jello on springs”) and sexy double entendres (“What do I do if it’s an emergency?” “Pull the emergency break!”). [18] Jerry Lewis and Danny Kaye were also considered for the role of Jerry. While Marilyn makes the scene her own, much credit belongs to Wilder’s keen eye, spot-lighting Marilyn just down to her upper chest, keeping the most desired portion of her see-through dress in the shadows. Voted the WGA’s No. Peter Bradshaw on Tony Curtis: a true Hollywood … This time, it’s 1929 Chicago, and saxophonist Joe (Tony Curtis) and bass-player Jerry (Jack Lemmon) are the only two eye-witnesses to the infamous St. Valentine’s Day Massacre. These gender-bending themes bring us to the two men who took the plunge, Curtis and Lemmon. I guarantee that it will make you laugh out loud. [83][84], On 5 January 2019, Marc Shaiman and Scott Wittman in an interview with Graham Norton on BBC Radio 2 confirmed a new updated version is being written with themselves writing the music. She was constantly late to set, and could not memorize many of her lines, averaging 35–40 takes for a single line according to Tony Curtis. if(typeof __ez_fad_position != 'undefined'){__ez_fad_position('div-gpt-ad-thefilmspectrum_com-medrectangle-3-0')}; Naming the funniest film of all time is like naming your favorite sibling. As Lemmon sees Monroe’s garter-held flask, he asks, “How do you like the shape of that liquor cabinet?” Oh yes, some like it hot. One of the best movie ending everDirected by Billy WilderIMDB: http://imdb.com/title/tt0053291/WikiPedia: http://en.wikipedia.org/wiki/Some_like_it_hot [54], In 1989, this film became one of the first 25 inducted into the United States National Film Registry. – #48, This page was last edited on 7 May 2021, at 18:14. Brown. Joe breaks Sugar's heart by telling her that he, Junior, must marry a woman of his father's choosing and move to Venezuela. The film has all the ingredients to please the most strict of judges — witty jokes coming at break-neck speed, endless comic situations, memorable buddy comedy by Jack Lemmon and Tony Curtis, the iconic gorgeousness of Marilyn Monroe, a keen director at the helm, and a real historical importance, shattering gender barriers by introducing cross-dressing to American film, paving the way for Dustin Hoffman in Tootsie (1982), Robin Williams in Mrs. Doubtfire (1993) and Martin Lawrence in Big Momma’s House (2000). Hilarity ensues when: (a) both men fall for the band’s voluptuous singer, Sugar Kane Kowalczyk (Marilyn Monroe); (b) Jerry a.k.a. Their exchange is priceless: JOE: “Congratulations. [38] Chicago Sun-Times's Roger Ebert wrote, "Wilder's 1959 comedy is one of the enduring treasures of the movies, a film of inspiration and meticulous craft. Eagerly awaiting your response. ): Billy Wilder’s Some like it hot. Taschen, 2001, S. 287. Meanwhile, Jerry lists reasons why "Daphne" and Osgood cannot marry, ranging from a smoking habit to infertility. Sugar tries to arouse him, with considerable success. if(typeof __ez_fad_position != 'undefined'){__ez_fad_position('div-gpt-ad-thefilmspectrum_com-medrectangle-4-0')};Still, it’s important to point out that while the film was named the AFI’s No. Joe convinces Jerry that he cannot actually marry Osgood. Wilder also makes one of the best uses of familiar image in movie history by introducing Spats Colombo with a shot of his distinctive shoes before panning up to his face. While Lemmon had already won Best Supporting Actor for Mister Roberts (1955), Some Like it Hot was his first of seven Oscar nominations in leading roles, including a win for Save the Tiger (1973). A. L. Diamond is based on a screenplay by Robert Thoeren and Michael Logan from the 1935 French film Fanfare of Love. 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