The mischievous Betty is also stirring up trouble; now working in the same show as Mac, she’s determined to break his hands-off policy. Anthony Wise directed by Thom Southerland Rodgers and Hammerstein's Me and Juliet,… Peter Kenworthy. The success of the Pal Joey revival sparked Rodgers’ desire to write a contemporary musical comedy, something bright and light-hearted, about a world he knew. ©2021 The Rodgers & Hammerstein Organization - A Concord Company, Music by Richard Rodgers | Book and Lyrics by Oscar Hammerstein II, Stills from the 1953 Original Broadway Production. Though Me and Juliet moved to Chicago for a brief run (with Shirley Jones in its cast) after ending its 368-performance Broadway run, it did not tour and has rarely been revived. Me and Juliet was Rodgers' 30th musical and Hammerstein's 36th, and it was a welcome to the theater, to the magic, to the fun. Mac lets him stew for a moment before informing him that Larry is still alive – and married to Jeanie. The idea was a musical about making a musical, a backstage story that would avoid all the clichés of most show-biz stories – actually an innovative premise in 1952. Gemma Atkins. Me and Juliet (Original, Musical, Comedy, Broadway) opened in New York City May 28, 1953 and played through Apr 3, 1954. Act Two begins with the intermission. This Flare release presents the complete original cast recording, starring Isabel Bigley, Bill Hayes, Joan McCracken and Mark Dawson. Daniella Gibb. Bill Hayes and Isabel Bigley perform a sequence from the Broadway Musical, "Me and Juliet" on live television in 1953. Jeanie, one of the chorus girls, idles away at the piano, reflecting on her courtship with Bob, the show’s loud and tough master electrician (“A Very Special Day”), and on how she and Bob met (“That’s the Way It Happens”). But he wanted to do the show his partner envisioned, just as Rodgers had wanted collaborate with him on Allegro. There was no movie or TV version. The show opened on May 28, 1953, at the Majestic Theatre for a run of 358 performances, with Isabel Bigley as the ingénue in love with Bill Hayes, while Ray Walston (who would enjoy resounding success as the Devil in Damn Yankees the following year) provided comic relief as the stage manager involved with a dancer played by Joan McCracken. Juxtaposed against this tense situation, the action shifts back to Me and Juliet and a coy duet by “Carmen” and “Don Juan” (“We Deserve Each Other”). Book and lyrics by Oscar Hammerstein II. Back in Ruby’s office, Larry is disconsolate at his inability to protect Jeanie from Bob, but she tells him that she loves him for who he is and for what he does give her (“I’m Your Girl”). Reeda Harris. Mielziner began working on a stage environment that would involve 85 tons of scenery and a lighting plot more intricate than anything Broadway had seen at the time. As seasoned show business professionals, Rodgers & Hammerstein created this 1953 musical to pull back the curtain on a fictional, long-running Broadway show. It opened in the spring of 1953 and ran for almost a year – a remarkable achievement, by most standards – but it was a troubled show that never quite satisfied the people who created it, and never caught on with the audience. Shop and Buy Me And Juliet sheet music. Me and Juliet (1953) and Pipe Dream (1955) diverged considerably from Rodgers and Hammerstein’s influential and commercially successful 1940s musical plays. Complete soundtrack list, synopsys, video, plot review, cast for Me and Juliet show. (HL.312255). In their dressing room, Betty and Jeanie put aside talk of men long enough to revel in their first love—the theatre (“It’s Me”). The original cast recording speaks for it now, preserving a playful, charming score that offers a bit of serendipity even for fans of Rodgers and Hammerstein. As usual, Rodgers and Hammerstein put the production on a tight schedule, arranging to move South Pacific a few blocks north, to the Broadway Theatre, so Me and Juliet could open in the spring of 1953 at the Majestic. It is a light musical comedy with a pleasant score and a weak book. Piano/Keyboard, Vocal sheet music book by : Hal Leonard at Sheet Music Plus. Just awful. and South Pacific. As the audience returns to their seats, Larry is hustled into the office of Ruby, the company manager, who tells him that Bob has gone on a rampage. Though Me and Juliet moved to Chicago for a brief run (with Shirley Jones in its cast) after ending its 368-performance Broadway run, it did not tour and has rarely been revived. The New York critics were not unkind to Me and Juliet when it opened, but they made it clear that the show disappointed. In a performance of Me and Juliet, which appears to be a stylized, expressionistic musical, the Everyman protagonist, “Me” (played by leading man Charlie), grapples with the hard-to-get “Juliet” (played by Lily) (“Marriage Type Love”). Guitar, Piano/Keyboard, Vocal sheet music book by Richard Rodgers and Oscar Hammerstein: Hal Leonard at Sheet Music Plus. Larry stops by before the show starts and, when Betty leaves, we learn that he and Jeanie have got married. Because of the show’s technical demands, Me and Juliet began its pre-Broadway tryout tour in Cleveland rather than New Haven. The action returns to the stage, and as Jeanie comes off she and Larry share a kiss, evidently a nightly ritual. Up on the light bridge, Sidney solves that problem. Synopsis ‘Me and Juliet’ revolves around the inner mechanisms of a Broadway musical and two sets of lovers.The show-within-the-show is also titled "Me and Juliet" and stars famous literary heroes and heroines: Juliet, Don Juan, and Carmen, alongside an everyman named "Me." “Marriage Type Love” is a tuneful charm song with a wonderfully romantic lyric, while “That’s the Way It Happens” has just the … The audience agreed. Such scenic conceptions are common today in the theater, but Rodgers and Hammerstein were really pushing the envelope in 1952. Like Allegro, Me and Juliet was completely original, based on an idea Rodgers had been thinking about for some time. “Me and Juliet is a wonderful parody of musical comedy.” Tim Jones, The Public Reviews “The show is a light-hearted analysis of the hopes and fears of the people in a theatre, and Hammerstein’s life-long immersion in Broadway ensures a script with continued accuracy and deft expression.” Like Allegro (but unlike Pipe Dream), Me and Juliet was an original musical. Commentary: Me and Juliet is the Rodgers and Hammerstein musical most people don’t know at all. Several months pass, and Larry and Jeanie have kept up a surreptitious romance despite Bob’s threats. Select from premium Me And Juliet of the highest quality. Rodgers & Hammerstein’s love letter to the theatre takes place both onstage and backstage during the production of a musical entitled – what else? One of their lesser-known works, Me and Juliet was created with the same bold vision and innovation that sparked hits like Oklahoma! (HL.312256). – Me and Juliet. and re-recorded with the cuts that have gone missing for six decades. 'Me and Juliet' has an excellent score, including the hit song "No Other Love". Informed by rich insights into the world of Broadway-how jobs are gotten and lost, the inside tricks of the trade and the pitfalls of backstage romances - Me and Juliet is an innovative, irresistible show that consistently delivers both musically and dramatically. The action shifts to the light bridge above the stage where Bob and his sidekick Sidney comment on the action. Obviously they will have to tell Bob, but how? A talented aspiring director, Larry helps her to lose her fear of the audience (“The Big Black Giant”), then leads her into a confident rendition of the musical’s love theme, “No Other Love.” Jeanie’s confidence is shattered, however, when Bob swaggers in and mocks the rehearsal. The original Broadway production of Me and Juliet opened at the Majestic Theatre on May 28, 1953 after playing out-of-town previews at the Shubert Theatres in New Haven and Boston. Shop and Buy Me And Juliet sheet music. Stephen McGlynn. Featuring songs from such lesser-known works as Allegro, Me and Juliet, State Fair, and Pipe Dream, modest successes like Flower Drum Song and hits like Carousel, Oklahoma!, The King and I, South Pacific, Cinderella and The Sound of Music, it originally was presented cabaret-style at Rainbow & Stars at the top of Rockefeller Center. and South Pacific. Hammerstein, along with the rest of us, had endured many of Hollywood’s backstage comedies, dramas and musicals about readying a show. Olivia O’Shea. Their happy union is threatened by the electrician who still carries a torch for the girl and, in a drunken rage, tries to kill them both. Isabel Bigley: Jeanie, Chorus Singer Bill Hayes: Larry, Assistant Stage Manager Joan McCracken: Betty, successor to Susie as Principal Dancer Mark Dawson: Bob, Electrician Ray Walston: Mac, Stage Manager Joe Lautner: Ruby, Company Manager Arthur Maxwell: Charlie (Me), Featured Lead Bob Fortier: Jim (Don Juan), Principal Dancer Barbara Carroll: Chris, Rehearsal Piano Player George S. Irving: Dario, Conductor Buzz Miller: Buzz, Principal Dancer Helena Scott: Lily (Juliet), Singing Principal Svetlana McLee: Susie (Carmen), Principal Dancer Randy Hall: George, 2nd Assistant Stage Manager Gwen Harmon: Miss Oxford, a Bit Player Patty Ann Jackson: Monica, Chorus Dancer Michael King: Michael, a Chorus Boy Ralph Linn: Ralph, Alley Dancer Francine Bond: Sadie, an Usher Lorraine Havercroft: Mildred, another Usher Barbara Lee Smith: a Theatre Patron Susan Lovell: another Theatre Patron Edwin Philips: Sidney, Electrician Henry Hamilton: Voice of Mr. Harrison, Producer Deborah Remsen: Voice of Miss Davenport, Choreographer Norma Thornton: Hilda, an aspirant for a dancing part Thelma Tadlock: Marcia, another aspirant for a dancing part Jackie Kelk: Herbie, Candy Counter Boy Joe Schulman: Stu, Bass Fiddle Player Herbert Wasserman: Milton, Drummer Singing Ensemble: Adele Castle, Jack Drummond, John Ford, Henry Hamilton, Gwen Harmon, Richard Hermany, Warren Kemmerling, Michael King, Larry Laurence, Susan Lovell, Therese Mari, Jack Rains, Georgia Reed, Deborah Remsen, Thelma Scott, Barbara Lee Smith Music by Richard Rodgers Book and Lyrics by Oscar Hammerstein II Directed by George Abbott Vocal and Orchestral Arrangements by Don Walker Musical Director Salvatore Dell’Isola, One of the few fabulous failures of Rodgers and Hammerstein, Me and Juliet chronicled the backstage shenanigans among the players during the rehearsal period of a new musical (appropriately titled Me and Juliet). © 2021 Sony Music Entertainment. Laura Main. Discover releases, reviews, track listings, recommendations, and more about Richard Rodgers, Oscar Hammerstein II* - Me And Juliet at Discogs. Ruby and Mac join in the violent melee, in which Bob falls and knocks himself out on the radiator. They consulted scenic designer Jo Mielziner about the feasibility of such a set. In the lobby the Me and Juliet audience chatters about everything from fashion to politics to business – and even the show itself (“Intermission Talk”), unaware that the real drama of Me and Juliet is happening offstage that night. Tom O’ Brien. Of Rodgers & Hammerstein's three relative flops, Allegro, Me and Juliet, and Pipe Dream, Me and Juliet was the most successful. Coming through the stage door alley, the drunken Bob hears their conversation and breaks through the office window, wielding a wrench. The original cast recording speaks for it now, preserving a playful, charming score that offers a bit of serendipity even for fans of Rodgers and Hammerstein. As seasoned show business professionals, Rodgers & Hammerstein created this 1953 musical to pull back the curtain on a fictional, long-running Broadway show. A few weeks later, during an audition for cast replacements, Charlie’s protégée Betty, a dancer from the show across the street, wins the part of “Carmen,” much to the annoyance of Mac, the stage manager who had been dating her while remaining true to his credo, “never with a girl in your own company.” Mac wishes that Larry had taken some of this advice himself, since he notices that Larry is spending a lot of time with Jeanie, ostensibly coaching her for future auditions but falling in love with her in the process. & Juliet is a 2019 musical featuring the music of Max Martin, with a book by David West Read. Me and Juliet was one such failure, and the team’s only foray into the backstage musical genre. After The King and I had settled into its long Broadway run at the St. James Theatre – with South Pacific still playing across 44th Street at the Majestic, and companies of Oklahoma! To direct the show they titled Me and Juliet, Rodgers and Hammerstein called on George Abbott, the wizard of Broadway entertainment with whom Rodgers and Hart had collaborated so successfully in the 1930s. Brendan Matthews. Me and Juliet Finborough Theatre, London, 5-30 October 2010 cast list John Addison. The company panics and Mac hurriedly rings down the curtain. Find the perfect Me And Juliet stock photos and editorial news pictures from Getty Images. ME & JULIET has more "fun" as a score, but it truly is a lousy, unworkable script. When he awakens to see only Mac and Ruby, he assumes in a panic that he has killed Larry. Mac has authorized Larry to start taking over this show and, as the first test of his authority, Larry gives Bob a list of instructions for the next morning’s work call. Jodie Jacobs. First LP release: 6/9/53. With Leonardo DiCaprio, Claire Danes, John Leguizamo, Harold Perrineau. Visit www.OnGuardOnline.gov for social networking safety tips for parents and youth. Shakespeare's famous play is updated to the hip modern suburb of … As Hammerstein said, it would be “the first of our plays in which nobody dies.” As their conception of the new show took shape, Rodgers and Hammerstein became fixed on the idea of a magical set– one that would instantly, seamlessly take the audience onstage, backstage, and everywhere else in the theater, to tell their story of a musical in rehearsal. A Musical Comedy in 2 Acts, 17 Scenes. Mielziner said he could do it, but that it would be expensive. Lyrics to Me and Juliet Broadway musical. View credits, reviews, tracks and shop for the 1953 Vinyl release of Me And Juliet on Discogs. All Rights Reserved. One of their lesser-known works, Me and Juliet was created with the same bold vision and innovation that sparked hits like Oklahoma! The only hit it produced was the infectious tango “No Other Love,” using a melody Rodgers wrote for “Victory at Sea.” Yet throughout Me and Juliet the tunes are brisk and charming, and Hammerstein’s lyrics match them with skill, cleverness, and a touch of Hart—as well as the signature Hammerstein heart. Dafydd Gwyn Howells. The one way to enjoy Me and Juliet is to forget Oklahoma, South Pacific, and The King and I. Even in Cleveland, where the critics were kinder, the show’s problems were evident, Rodgers later wrote, “when we heard people raving about the sets, without a word being said about the rest of the show.” Sadly, the score was given short shrift, though it had a full measure of R&H magic. From overhead, Bob trains his follow spot on the lovers, terrifying them and, as Jeanie returns to the stage, he drops a sandbag that narrowly misses her and shatters her prop tray to the ground. Label: RCA Victor - LOC 1012 • Format: Vinyl LP, Mono • Country: US • Genre: Stage & Screen • Richard Rodgers, Oscar Hammerstein II* - Me And Juliet (1953, Vinyl) | Discogs Me and Juliet book. ME AND JULIET is pretty much forgotten today. In fact, it broke even. Majestic Theatre, Broadway: Opened 28th May, 1953; closed 3rd April, 1954 (358 performances) Terry Doe. It is a couple of hours before a performance, backstage at the Broadway theatre where Me and Juliet is in the midst of a long run. This show-within-a-show follows the romance between a chorus girl and an assistant stage manager leading to their secret marriage. Just this original cast album recorded a few days after the opening night. Bob, not surprisingly, identifies with the “Don Juan” character in Me and Juliet (“Keep It Gay”). Larry, the assistant stage manager, is fond of Jeanie also, but admits to himself that he didn’t take a chance when he should have, and that Bob has beaten him to it (“That’s the Way It Happens” – reprise). Directed by Baz Luhrmann. Hammerstein had misgivings. Music by Richard Rodgers. Tired of Bob’s sneering and bullying about his own love life, Sidney strikes back: he tells Bob about Jeanie and Larry and invites him to his side of the light bridge to see Jeanie’s exit in Act One. The first light musical comedy from Rodgers & Hammerstein, Me and Juliet entertained audiences with the duality of a traditional show onstage and a realistic story backstage, avoiding any of the expected tropes of most “behind-the-scenes” stories. Complete your Richard Rodgers, Oscar Hammerstein II* … Read 3 reviews from the world's largest community for readers. Me and Juliet is a stage musical. Me and Juliet is still waiting to be selected by Encores! – Me and Juliet. Bob heads for the bar across the street, where he finds that liquor has the desired effect (“It Feels Good”). -- 'Me and Juliet.' Isabel Bigley - Jeanie Mark Dawson - Bob Bill Hayes - Larry George S. Irving - Dario Jackie Kelk - Herbie Joe Lautner - Ruby Buzz Miller - Buzz Arthur Maxwell - Charlie/Me Helena Scott - Lily/Juliet Robert Fortier - Jim/Don Juan Svetlana McLee - Susie/Carmen Joan McCracken - Betty A half-hour remains before the show is to begin. Robert Hands. Still, even this score contains flashes of brilliance. Oops, looks like your browser doesn't support HTML 5 audio. Rodgers was busy with a commission to write music for the television documentary series “Victory at Sea.” He also became involved in a Broadway revival of Pal Joey, one of the finest musicals of his partnership with lyricist Lorenz Hart – a razor-sharp, sophisticated show with a sublime score, set on the fringes of show business, that had troubled critics and audiences at its premiere in 1940. Me and Juliet was the team’s first musical comedy and had an original book by Hammerstein. The appealing, 70-member cast, once again, would be filled with new talent (the young Shirley MacLaine was one of the dancers), with the exception of Isabel Bigley, who had just won a Tony Award® for her performance as Sarah Brown in Guys and Dolls. The score, however, highlighted by the hit song “No Other Love,” demonstrated once again the ease with which the team could create tunes of wonderful appeal. In fact, it broke even. Hammerstein’s original libretto told the story of a chorus girl and her romance with an assistant stage manager, but was too contrived to provide the strong dramatic impetus that drove other R&H musicals. ME AND JULIET . When Me and Juliet opened May 28, 1953, Richard Rodgers and Oscar Hammerstein II were fresh off the success of The King and I, and their backstage musical comedy (and … and Carousel still touring – Rodgers and Hammerstein had taken a bit of a breather. Bob humbly complies and heads off as the company, led by Jeanie, rehearses a finale (“No Other Love”). Jeanie runs off, and Bob threatens Larry, demanding that he keep away from Jeanie. The story focuses on "what if" Juliet had not died at the end of Shakespeare's Romeo and Juliet. Backstage after the show, Mac learns from the producer that he is being transferred to a new show – a change of scene and, he happily informs Betty, a solution to his dating dilemma. There was no London production, and no Broadway revivals to yield new recordings. Featuring notable songs like “The Big Black Giant,” “Marriage Type Love,” and “No Other Love,” Me and Juliet paved the way for other backstage comedies, which became increasingly popular over the ensuing decades. FLOWER DRUM SONG is a lot of fun, and didn't need to be rewritten, which has probably killed it … Rodgers & Hammerstein’s lesser-known musical comedy about the backstage romances and heartbreaks of a long-running Broadway musical featured Isabel Bigley, Bill Hayes and Joan McCracken. Pipe Dream was based on a John Steinbeck novel and featured bums and prostitutes. Dwindling ticket sales and high weekly running costs (again, the complex production) crippled any hope of profits for Me and Juliet – a problem that would become a fact of life for Broadway musicals in the future. The disappointment of Allegro had shown him how difficult it was to turn an original, innovative idea into a successful musical. Me and Juliet characters breakdowns including full descriptions with standard casting requirements and expert analysis. Starts and, when Betty leaves, we learn that he has killed Larry and Juliet when it opened but. As Jeanie comes off she and Larry and Jeanie have got married book:! 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